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Secondhand Serenade is the one-man band of American rock vocalist, pianist and guitarist John Vesely. Vesely has released four studio albums to date under the name Secondhand Serenade. His debut album used multitrack recording to create the sound of a band using technology, [ 5 ] while his second album took a different path, using a proper band ...
Awake is the debut album by American acoustic rock musician, John Vesely, under the pseudonym Secondhand Serenade. The album was originally released as a demo, in 2005. In late 2006, Secondhand Serenade signed to label Glassnote Records and re-released the album on January 31, 2007.
2.1 Secondhand Serenade. 2.2 Additional ... Download as PDF; Printable version ... Vocals, electric and acoustic guitars, keyboards, piano, bass; Additional Personnel ...
Secondhand Serenade's John Vesely talks emo genre, new music and tour coming to Stroudsburg. Secondhand Serenade talks connecting with listeners, emo music ahead of Stroudsburg show Skip to main ...
Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison.
It should only contain pages that are Secondhand Serenade albums or lists of Secondhand Serenade albums, as well as subcategories containing those things (themselves set categories). Topics about Secondhand Serenade albums in general should be placed in relevant topic categories .
All songs written by John Vesely, and eight of the eleven songs on the album were produced by Aaron Johnson at Swing House studios in Los Angeles, the other three, "You & I", "Hear Me Now" and the first single, "Something More", were produced by John Vesely himself along with Secondhand drummer Tom Breyfogle at Vesely's home studio and mixed by Mark Endert (Train, Maroon 5). [5]
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]
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