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An ode (from Ancient Greek: ᾠδή, romanized: ōidḗ) is a type of lyric poetry, with its origins in Ancient Greece. Odes are elaborately structured poems praising or glorifying an event or individual, describing nature intellectually as well as emotionally.
A strophe (/ ˈ s t r oʊ f iː /) is a poetic term originally referring to the first part of the ode in Ancient Greek tragedy, followed by the antistrophe and epode.The term has been extended to also mean a structural division of a poem containing stanzas of varying line length.
The 6th ode (1.6), in which he claims that the Muse forbids him from singing the praises of Caesar (Octavian), contrasts with the 6th from the end (3.25), in which he declares that Bacchus has inspired him to sing Caesar's praises. The 10th poem (1.10) is a hymn to Mercury, and the 10th from the end (3.21) is a hymn to a wine jar.
Canzone: a lyric poem originating in medieval Italy and France and usually consisting of hendecasyllabic lines with end-rhyme. Epithalamium; Madrigal: a song or short lyric poem intended for multiple singers. Ode: a formal lyric poem that addresses, and typically celebrates, a person, place, thing, or idea. Horatian Ode
In Latin poetry the epode was cultivated, in conscious archaism, both as a part of the ode and as an independent branch of poetry. Of the former class, the epithalamia of Catullus , founded on an imitation of Pindar , present us with examples of strophe, antistrophe and epode; and it has been observed that the celebrated ode 1.12 of Horace ...
After writing "Ode to Psyche", Keats sent the poem to his brother and explained his new ode form: "I have been endeavouring to discover a better Sonnet stanza than we have. The legitimate does not suit the language well, from the pouncing rhymes; the other appears too elegiac, and the couplet at the end of it has seldom a pleasing effect. I do ...
It may be a spring poem (Persian بهاریه, bahâriye) or autumn poem (Persian خزانیه, xazâniye). The opening is usually description of a natural event: the seasons, a natural landscape or an imaginary sweetheart. In the takhallos poets usually address themselves by their pen-name. Then the last section is the main purpose of the poet ...
Focusing on the quality of the poem, Stuart Sperry, argued in 1973, "'Ode to a Nightingale' is the supreme expression in all Keats's poetry of the impulse to imaginative escape that flies in the face of the knowledge of human limitation, the impulse fully expressed in 'Away! away! for I will fly to thee.'" [66] Wolf Hirst, in 1981, described ...