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The subject of Gaulli's ceiling fresco is the Adoration of the Name of Jesus, the story is taken from Saint Paul's Epistle to the Philippians. [7] His words are written on a ribbon, just outside the architectural frame. [7] These words set the scene for Gaulli's fresco and focus on the spreading of faith.
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
Andrea Pozzo's painted ceiling in the Church of St. Ignazio. His masterpiece, the illusory perspectives in frescoes of the dome, [3] the apse and the ceiling of Rome's Jesuit church of Sant'Ignazio were painted between 1685–1694 and are emblematic of the dramatic conceits of High Roman Baroque. Pozzo was an unrivalled master of perspective ...
The ceiling fresco is 2.8 metres (9.2 ft) tall and 7 metres (23 ft) wide. It is displayed within a painted frame or quadro riportato and depicts from right to left, Aurora (Dawn) in a golden billowing dress with her garlands flying over a dim-lit landscape, leading a blond Apollo in his horse-drawn chariot, surrounded by a chain of female "hours", bringing light to the world.
The Allegory of Divine Providence and Barberini Power [1] is a fresco by the Italian Baroque painter Pietro da Cortona, filling the large ceiling of the grand salon of the Palazzo Barberini in Rome, Italy. Begun in 1633, it was nearly finished in three years; upon Cortona's return from Venice, it was extensively reworked to completion in 1639.
The Loves of the Gods is a monumental fresco cycle, completed by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese, now the French Embassy, in Rome.
Giovanni Battista Gaulli (8 May 1639 – 2 April 1709), also known as Baciccio or Baciccia (Genoese nicknames for Giovanni Battista), was an Italian Baroque painter working in the High Baroque and early Rococo periods. He is best known for his grand illusionistic vault frescos in the Church of the Gesù in Rome.
The ceiling of the apse is adorned by the painting Glory of the Mystical Lamb by Baciccia (Giovanni Battista Gaulli). [11] The most striking feature of the interior decoration is the ceiling fresco, the grandiose Triumph of the Name of Jesus (1678-1679) [12] by Giovanni Battista Gaulli. Gaulli also frescoed the cupola, including lantern and ...