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This system consisted of the four classical elements of air, earth, fire, and water, in addition to a new theory called the sulphur-mercury theory of metals, which was based on two elements: sulphur, characterizing the principle of combustibility, "the stone which burns"; and mercury, characterizing the principle of metallic properties.
This world, which is the same for all, no one of gods or men has made. But it always was and will be: an ever-living fire, with measures of it kindling, and measures going out. [6] Heraclitus regarded the soul as being a mixture of fire and water, with fire being the more noble part and water the ignoble aspect.
The Great Fire of London in 1666, although not forming a firestorm due to the single point of ignition, serves as an example that, given a densely packed and predominantly wooden and thatch building construction in the urban area, a mass fire is conceivable from the mere incendiary power of no more than a domestic fireplace.
The wind howls . . . the thunder rolls . . . Like a blue flame, flocks of clouds blaze up above the sea's abyss. The sea catches bolts of lightning drowning them beneath its waters. Just like serpents made of fire, they weave in the water, fading, the reflections of this lightning. —Tempest! Soon will strike the tempest!
Thunder is the sound caused by lightning. [ 1 ] [ 2 ] [ 3 ] Depending upon the distance from and nature of the lightning, it can range from a long, low rumble to a sudden, loud crack. The sudden increase in temperature and hence pressure caused by the lightning produces rapid expansion of the air in the path of a lightning bolt . [ 4 ]
A reading of "Fire and Ice" "Fire and Ice" is a short poem by Robert Frost that discusses the end of the world, likening the elemental force of fire with the emotion of desire, and ice with hate. It was first published in December 1920 in Harper's Magazine [1] and was later published in Frost's 1923 Pulitzer Prize-winning book New Hampshire ...
In his final moments, “House of the Dragon’s” King Viserys was, well, not quite himself. Enfeebled and riddled with disease, his final words were spoken in an empty, darkened room.
The content of "The Thunder, Perfect Mind" (the title may alternately be translated "The Thunder, Perfect Intellect") takes the form of an extended, riddling monologue, in which an immanent divine saviour speaks a series of paradoxical statements alternating between first-person assertions of identity and direct address to the audience.