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The seal of Mani, the oldest known Manichaean art. Manichaeism has a rich tradition of visual art, starting with Mani himself writing the Book of Pictures. [1]One of Mani's primary beliefs was that the arts (namely painting, calligraphy, and music) were of the same esteem as the divine spirit (Middle Persian: Mihryazd), believing that the creation of art was comparable to god's creation of ...
The Birth of Mani is a Manichean silk cloth color painting painted in the Fujian Zhejiang area during the Yuan period, depicting the founder of the sect Mani The scene of birth, a scholar who specializes in Manichaeism Ma Xiaohe called it "a rare treasure". [1]
The preservation is intact and undamaged. This painting was originally part of a large Manichae silk painting, [2] The drawing technique and artistic style are very similar to "Episodes from Mani's Missionary Work", "The Birth of Mani", "Mani's Parents" and "The Manichean Universe Map". The painting is now in a private collection in Japan. [3]
[3] [4] The text may be interpreted as "Mani, the apostle of Jesus Christ", [3] making this seal is the first Manichaean artwork to mention Jesus. In the early Manichaean literature, this sentence is often used as the beginning of the religious letters written by Mani.
Thus, this painting is best classified as a late medieval and uniquely Chinese development of Manichaean didactic art. Its thirteenth/fourteenth-century iconography greatly expands upon a core set of Manichaean motifs, while conveying Manichaean doctrine in a distinctly Chinese visual language of its time. [6]
Analysis by Zsuzsanna Gulácsi. Like the other two Manichaean works "Sermon on Mani's Teaching of Salvation" and "Mani's Community Established", this picture also depicts several scenes, but it is different from the former and the latter in terms of levels With the collage technique, the distinction and boundary between the various scenes in this painting is not obvious, and the picture is ...
San Francisco Asian Art Museum, San Francisco Mani's Parents is a color painting on silk drawn in the coastal areas of southern China during the late Yuan and early Ming dynasties. It is in the collection of the Asian Art Museum of San Francisco, US, and was donated by Ivory Brendage.
However, the documentary linguistics professor Yoshida of Kyoto University discovered the original work of "Icon of Mani" at the Fujita Museum of Art in Osaka, Japan in 2019. Later, the painting was exhibited at the "National Treasure No. Fujita Museum Exhibition" at the Nara National Museum.
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