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Pedro Nunes lived in a transition period, during which science was changing from valuing theoretical knowledge (which defined the main role of a scientist/mathematician as commenting on previous authors), to providing experimental data, both as a source of information and as a method of confirming theories.
Search for Retrogression in Wikipedia to check for alternative titles or spellings. Start the Retrogression article , using the Article Wizard if you wish, or add a request for it ; but please remember that Wikipedia is not a dictionary .
Rheostatik 18:58, 14 August 2009 (UTC) I don't know, but it's not a proper noun so "progression" should not be capitalized. Recury 20:13, 14 August 2009 (UTC) Fixed, thanks for the tip Rheostatik 21:04, 14 August 2009 (UTC) WP:UCN covers situations like this. Use what is most commonly used in the references that the article cites, and use the ...
Throughout this evolution, retrogression of the large-scale atmospheric circulation features is observed in the eastern Pacific–North American sector. Many of these events are characterized by the progression of the heaviest precipitation from south to north along the Pacific Northwest coast over a period of several days to more than one week.
A 2009 study classified slumps as active, stable, and ancient. An active slump is one that has a clearly-defined headwall and bare areas; and a stable slump is one that has clearly-defined boundaries and is completely covered in vegetation. The headwall relief of an ancient slump is a subdued scar on the terrain that is covered in tundra ...
Opening Title Production company Cast and crew Ref. J A N U A R Y 2: Cargo 200: The Disinformation Company: Aleksei Balabanov (director); Agniya Kuznetsova, Leonid Bichevin, Aleksei Poluyan, Leonid Gromov, Aleksei Serebryakov
Mike Rinder, a former Scientologist turned outspoken critic of the organization who co-hosted the A&E series Leah Remini: Scientology and the Aftermath, has died.He was 69. The author and ...
Otis Ferguson of The New Republic said it was "the boldest free-hand stroke in major screen production since Griffith and Bitzer were running wild to unshackle the camera", but also criticized its style, calling it a "retrogression in film technique" and stating that "it holds no great place" in film history. [126]