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Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play.
The Tragedy of the Commons; Tyranny of small decisions This page was last edited on 18 June 2023, at 18:29 (UTC). Text is available under the Creative Commons ...
The tragedy of the commons can be considered in relation to environmental issues such as sustainability. [30] The commons dilemma stands as a model for a great variety of resource problems in society today, such as water, forests, [31] fish, and non-renewable energy sources such as oil, gas, and coal.
The Origins and Early Forms of Greek Tragedy, Cambridge, Massachusetts 1965. The Origins of ΤΡΑΓΩΙΔΙΑ, Hermes 85, 1957, pp. 17–46. Flickinger, Roy Caston, The Greek theater and its drama, Chicago, University of Chicago Press, 1918; Foley, Helene, Female Acts in Greek Tragedy, Princeton: Princeton University Press 2001.
^Buckham, p. 108: "The honour of introducing Tragedy in its later acceptation was reserved for a scholar of Thespis in 511 BC, Polyphradmon's son, Phrynichus; he dropped the light and ludicrous cast of the original drama and dismissing Bacchus and the Satyrs formed his plays from the more grave and elevated events recorded in mythology and history of his country."
Aeschylus (UK: / ˈ iː s k ɪ l ə s /, [1] US: / ˈ ɛ s k ɪ l ə s /; [2] Ancient Greek: Αἰσχύλος Aischýlos; c. 525 /524 – c. 456 /455 BC) was an ancient Greek tragedian often described as the father of tragedy.
Melpomene by Joseph Fagnani (1869). Melpomene (/ m ɛ l ˈ p ɒ m ɪ n iː /; Ancient Greek: Μελπομένη, romanized: Melpoménē, lit. 'to sing' or 'the one that is melodious') is the Muse of tragedy in Greek mythology.
Senecan tragedy specifically features a declamatory style, and most of his plays use exaggerations in order to make his points more persuasive. They explored the psychology of the mind through monologues, focusing on one's inner thoughts, the central causes of their emotional conflicts, dramatizing emotion in a way that became central to Roman ...