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Rembrandt Laughing is a c. 1628 oil on copper painting by the Dutch painter Rembrandt van Rijn. It is an elaborate study of a laughing face, a tronie , and, since it represents the painter himself, one of over 40 self-portraits by Rembrandt , probably the earliest elaborate one.
Rembrandt and (mainly) workshop. Companion piece to 63a. The woman’s left hand, which originally hung in a lower position, and the table on which it now rests, are probably executed by Rembrandt himself Portrait of a Man Trimming his Quill: 1632: Oil on canvas: 101.5 x 81.5: Schloss Wilhelmshöhe, Kassel: 64a: Companion piece to 64b Portrait ...
Seated naked woman with a hat beside her [Woman at the bath] 1658 B200: 1: Seated naked woman [‘Woman bathing her feet at a brook’] 1658 B205: 3 ‘Negress lying down’ 1658 B282: 6: Lieven Willemsz van Coppenol, writing-master [1598 - 1671] About 1658 B283: 6: Lieven Willemsz van Coppenol, writing-master: the larger plate: About 1658 B094: 4
Art appraiser and auctioneer Kaja Veilleuxwas was on a routine visit to a private estate in Camden, Maine, when he came across a 17th-century painting by Rembrandt Harmenszoon van Rijn—the ...
The portraits were painted by Rembrandt upon the occasion of the wedding of Maerten Soolmans and Oopjen Coppit in 1634. [1] Although the subjects were painted individually, the portraits have been kept together since their inception. [1]
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly paintings), or the ...
The monochromatic painting, which measures 9.6 x 7.3 inches (24.5 x 18.5 centimeters), was purchased by an anonymous buyer for €860,000 ($908,000) at the Christie’s sale.
Rembrandt created this painting as a pendant to the MET's portrait of a man, probably as a wedding pendant. Only a few pairs of pendant portraits by Rembrandt have survived. This pair came into the collection via the Mrs. H. O. Havemeyer bequest in 1929. This painting was documented by Hofstede de Groot in 1914, who wrote: 625.