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"These Are the Voyages..." is the series finale of the American science fiction television series Star Trek: Enterprise. The 22nd episode of the fourth season and the 98th of the series overall, it first aired on UPN in the United States on May 13, 2005.
The phrase was originally said by Captain James T. Kirk (William Shatner) in the original Star Trek series. "Where no man has gone before" is a phrase made popular through its use in the title sequence of the original 1966–1969 Star Trek science fiction television series, describing the mission of the starship Enterprise.
The first book documenting the first season of the show, These Are the Voyages: TOS, Season One was published in 2013. These Are the Voyages: TOS, Season Two was published in 2013 and These Are the Voyages: TOS, Season Three in 2015. In 2019, the next volume, These Are the Voyages: Gene Roddenberry and Star Trek in the 1970s, Volume 1 (1970 ...
"These Are The Voyages..." was the final episode of the series, and gained the highest number of viewers for the season according to Nielsen Media Research. Despite critics describing the fourth season in a warmer manner, the finale was received poorly, with Rick Berman later regretting the storyline.
This was the same ratings received by "Demons", [11] but was less than the final episode, "These Are the Voyages..." which received ratings of 2.4/4 when it was aired immediately after "Terra Prime". [10]
"These Are the Voyages..." is the series finale of the American science fiction television series Star Trek: Enterprise. The episode, which first aired on the UPN network on May 13, 2005, is a frame story, where the 22nd-century events of Star Trek: Enterprise are recreated on a 24th-century holodeck on Enterprise-D from Star Trek: The Next Generation.
Fontana saw a position on a Marine Corps-based series called The Lieutenant and applied; [13] Fontana began working as a secretary for producer Del Reisman. [11] Around this time, she adopted the gender-blind pen name D.C. Fontana for her writing, to prevent her pitches being prejudged on the basis of her gender, as she was one of the few female writers at NBC at the time.
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