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Blues dancing is a family of historical dances that developed alongside and were danced to blues music, or the contemporary dances that are danced in that aesthetic. It has its roots in African-American dance , which itself is rooted in sub-Saharan African music traditions and the historical dances brought to the United States by European ...
Blues is a music genre [3] ... Bebop marked a major shift in the role of jazz, from a popular style of music for dancing to a "high-art", less-accessible, cerebral ...
In the decades that followed its introduction in the late 1800s, the dance spread throughout the American South and was most popular in semi-rural juke joints, where it was danced to the blues. Buster Pickens , who was born in 1916, described people doing the slow drag to "slow low-down dirty blues" in barrelhouse joints. [ 12 ]
Juke joint music began with the blues, then Black folk rags ("ragtime stuff" and "folk rags" are a catch-all term for older African American music) [9] and then the boogie woogie dance music of the late 1880s or 1890s, which influenced the blues, barrel house, and the slow drag dance music of the rural South (moving to Chicago's Black rent ...
Dancing the Blues (1993) An Evening of Acoustic Music (1994) Dancing the Blues is an album by American blues artist Taj Mahal, released in 1993. [1] Reception.
The community dance hall Vinnie's Jump & Jive in Middletown frequently hosts swing and blues dance nights. Yale Swing, Blues, and Fusion is a "noncompetitive swing and blues dancing community" on Yale University's campus. Their "regular events include monthly swing dances, weekly swing, blues, and fusion practica on Sundays, weekly fusion ...
Afro-American vernacular dance. Black Bottom; Blues dance; Boogie-woogie; Boogaloo (funk dance) Breakaway; Cabbage Patch; Cakewalk; Charleston; Chicago stepping
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.