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Saville was born Philip Saffer on 28 October 1927 at Marylebone, London (in later life he gave his birth year as 1930, a date repeated in all his obituaries), [5] son of Louis Saffer (who later assumed the anglicized form of the family name, "Saville", chosen by his father, Joseph Saffer, a master tailor), a travelling salesman for a clothing company, and Sadie Kathleen (known as "Kay"), née ...
Oedipus the King is a 1968 British film adaptation of the Sophoclean tragedy Oedipus Rex, directed and co-written by Philip Saville.It stars Christopher Plummer as the title character, Orson Welles as Tiresias, Lilli Palmer as Jocasta, Richard Johnson as Creon and Donald Sutherland as the leading member of the Chorus, though the latter's voice was dubbed by Valentine Dyall.
[6] Andy Webb, in his review for The Movie Scene pinpointed the problems with the film: "What this all boils down to is as a whole movie 'Crash: The Mystery of Flight 1501' doesn't work; it is too contrived and now seriously dated. But the various elements of the movie are interesting and it is a case that less would have made 'Crash: The ...
Philip would share in Mary's titles and aid her administration. Mary, if Philip died before her, would enjoy a dowry or jointure income from Spanish lands and territories including Brabant, Flanders, Hainault and Holland. Margaret of York had the same jointure in 1468. Possibly, the final articles would include a contract preventing Philip ...
The Best House in London is a 1969 British comedy film directed by Philip Saville and starring David Hemmings, Joanna Pettet, George Sanders, Warren Mitchell, John Bird, Maurice Denham and Bill Fraser. [2] [3] It was written by Dennis Norden.
Philip II [note 1] (21 May 1527 – 13 September 1598), sometimes known in Spain as Philip the Prudent (Spanish: Felipe el Prudente), was King of Spain [note 2] from 1556, King of Portugal from 1580, and King of Naples and Sicily from 1554 until his death in 1598.
The film was made on location around London including in Hyde Park.The film's sets were designed by the art director Brian Eatwell.The film was shot in Super 16mm which the producer claim was 80% cheaper than if it had been shot on 35 mm. [2] [3]
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