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William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Being unworthy, Shakespeare wants to release the Youth from the relationship so that "he can have the better life that he deserves". [2] In the closing couplet, Shakespeare says that while the relationship lasted, he felt like a king, but now he realizes it was simply a dream.
Loosely based on William Shakespeare’s comedy Much Ado About Nothing, Anyone But You is chock-full of references to its source material that could be easily overlooked by the casual viewer.
All we then need to add, to get to the fundamental principle of developed communism, is to assume that non-satisfaction of a need is a disadvantage. The corresponding principle of solidarity in respect of need says: if any member of society has an unsatisfied need, each member has a duty to produce its object (if they can).
This category is for English phrases which were invented by Shakespeare, and older phrases which were notably used in his works. The main article for this category is William Shakespeare . Pages in category "Shakespearean phrases"
Leishman also names Sonnet 25 as an example of a contrast between the style of Shakespeare's sonnets and Drayton: where Drayton directly names the people he refers to, and references public events "in a perfectly plain and unambiguous manner," [17] Shakespeare never directly includes names and all his allusions to public events are couched in ...
Many critics contrast Don Pedro's well-intentioned deceptions, both of Beatrice and Benedick and of Hero, with Don John's bitter and malicious deception of Claudio and Don Pedro. [14] Don Pedro is the only male character in Much Ado About Nothing to encourage a female character to speak. [15] He tells Beatrice "Your silence most offends me." [16]