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Self-portrait, c. 1542–43.Coloured chalks and pen, heightened with gold, Uffizi Gallery, Florence. This list of paintings by Hans Holbein the Younger contains a selection of the artist's best-known paintings, as well as a few copies and derivatives of his art, some of which relate to lost works.
Hans Holbein the Younger (UK: / ˈ h ɒ l b aɪ n / HOL-byne, [2] US: / ˈ h oʊ l b aɪ n, ˈ h ɔː l-/ HOHL-byne, HAWL-; [3] [4] [5] German: Hans Holbein der Jüngere; c. 1497 [6] – between 7 October and 29 November 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. [7]
Work Title Date Medium Size Notes Related works Bonifacius Amerbach [223]: c. 1525 Black and coloured chalk, metalpoint. 40.0 × 36.8 cm: Bonifacius Amerbach taught Roman law at Basel University and became a friend of Holbein, as well as of the great humanist scholar Desiderius Erasmus, who made him his sole heir.
The most notable and famous of Holbein's symbols in the work is the distorted skull which is placed in the bottom centre of the composition. The skull, rendered in anamorphic perspective , another invention of the Early Renaissance , is meant to be a visual puzzle as the viewer must approach the painting from high on the right side, or low on ...
Copy in oils of the Whitehall Mural, commissioned by Charles II, 1667. Portrait of Henry VIII is a lost painting by Hans Holbein the Younger depicting Henry VIII.It is one of the most iconic images of Henry VIII and is one of the most famous portraits of any English or British monarch.
Historian David Starkey has said "arguably this is the most important portrait in England. It is where portraiture actually begins." [5] Holbein painted three much-copied portraits of Erasmus in 1523, of which this is the largest and most elaborate. It is likely the one sent to William Warham, Archbishop of Canterbury, in England. Holbein later ...
Portrait of a Lady, probably a Member of the Cromwell Family is an oil on panel portrait completed in around 1535–1540 by Hans Holbein the Younger now at the Toledo Museum of Art. The painting shows an elegantly but demurely dressed young woman sitting against a blue-grey background.
The two halves chosen by Holbein correspond to Protestant interpretations of the Bible, which saw the Old Testament as describing a time of sin and punishment compared to the New Testament showing the way to salvation, [7] with Christ and his Evangelists contained as a mystery in the Old Testament and revealed in the New. [5]
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