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Etchmiadzin Cathedral [a] (Armenian: Էջմիածնի մայր տաճար, romanized: Ēǰmiaçni mayr tač̣ar) is the mother church of the Armenian Apostolic Church, located in the city dually known as Etchmiadzin (Ejmiatsin) and Vagharshapat, Armenia.
According to the 5th-century Armenian annals, Saint Gregory had a vision of Christ descending from heaven and striking the earth with a golden hammer to show where the cathedral should be built. Hence, the patriarch gave the church and the city the new name of Echmiadzin, which may be translated as "the place where the Only Begotten descended".
The current structure was completed in 618 AD. It is known for its fine Armenian-style architecture of the classical period, which has influenced many other Armenian churches since. It was listed as a UNESCO World Heritage Site along with other nearby churches, including Etchmiadzin Cathedral, Armenia's mother church, in 2000.
Other claimed relics, based on the Crucifixion of Christ include: The Holy Coat: The possession of the seamless garment of Christ (Latin: tunica inconsultilis; John 19:23), [39] for which the soldiers cast lots at the Crucifixion, is claimed by the cathedral of Trier, Germany, and by the parish church of Argenteuil, France.
According to Movses Khorenatsi, the area of Vagharshapat was known as Artimed (Արտիմէդ), derived from the ancient Greek deity Artemis.Later, it was renamed Avan Vardgesi (Աւան Վարդգէսի, "Town of Vardges") or Vardgesavan (Վարդգէսաւան) by Prince Vardges Manouk who rebuilt the settlement near the shores of Kasagh River, during the reign of King Orontes I Sakavakyats ...
It was previously known as Surp Astvatsatsin (Holy Mother of God). However, the name Zoravor (meaning Powerful) was added because the church was home to the 13th century bible of Zoravor. [1] The church is located in the Shahar District of Old Yerevan where the tomb and the Chapel of Ananias the Apostle were previously located. This chapel was ...
St. Mary's Basilica, Kraków. Through the centuries, the progression of Medieval architecture towards Romanesque, Gothic, Renaissance, Baroque and eventually modern Marian church architectures may be viewed as a manifestation of the growth of Marian belief – just as the development of Marian art and music were a reflection of the growing trends in the veneration of the Blessed Virgin Mary in ...
The National Shrine Mary Help of Christians at Brezje ; The mantled Virgin Mary - the protector from Ptujska Gora [19] Church of Our Lady of Mercy on Zaplaz [20] Basilica of St. Mary, Mother of God at Sveta Gora [21] Basilica of the Visitation of the Virgin Mary in Petrovče [22]