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Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
8 string classical guitar 8 string electric guitar Spain Tuning of two lowest strings varies with player and music Guitar, 9 string 9 strings 6 courses. E 3 E 2 •A 3 A 2 •D 4 D 3 •G 3 B 3 E 4: US 12-string guitar variant with doubled bases Guitar, 9 string 9 strings 6 courses. E 2 • A 2 • D 3 • G 4 G 3 •B 3 B 3 •E 4 E 4: US 12 ...
Ole Kirkeby for 6- and 7-string guitars: Charts of intervals, major, minor, and dominant chords; recommended gauges for strings. Ralph Patt for 6-, 7-, and 8-string guitars: Charts of scales, chords, and chord-progressions; string gauges. Three other jazz-guitar websites: Oberlin, Alexandre (3 October 2012).
Often only the top and bottom gauges are given. In this case the top string is listed first, as in the .017-.095w string set for the baritone guitar. Wound strings are shown by the suffix w added to the gauge. For example, a wound string of 32 thou diameter may be called 32w or .032w depending on whether thou or inch measure is used in the article.
The predecessor of today's six-string classical guitar was the five-string baroque guitar tuned as the five high strings of a six-string guitar with the A raised one octave. High C – E-A-d-g-c' Standard tuning with the B tuned a half step higher to C to emulate a six-string bass guitar, minus the low B. This is an all fourths tuning.
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
Jazz guitarist Carl Kress used a variation of all-fifths tuning—with the bottom four strings in fifths, and the top two strings in thirds, resulting in B ♭ 1 –F 2 –C 3 –G 3 –B 3 –D 4. This facilitated tenor banjo chord shapes on the bottom four strings and plectrum banjo chord shapes on the top four strings.
The scheme I-x-V-I symbolizes, though naturally in a very summarizing way, the harmonic course of any composition of the Classical period.This x, usually appearing as a progression of chords, as a whole series, constitutes, as it were, the actual "music" within the scheme, which through the annexed formula V-I, is made into a unit, a group, or even a whole piece.
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