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Composition with Large Red Plane, Yellow, Black, Grey and Blue is an abstract painting from 1921 by the Dutch artist Piet Mondrian. The painting is part of the Kunstmuseum collection in The Hague. [1]
Piet Mondrian was evolving his abstract language, of horizontal and vertical lines with rectangles of color, between 1915 and 1919, Neo-Plasticism was the aesthetic which Mondrian, Theo van Doesburg and other in the group De Stijl intended to reshape the environment of the future.
The yellow sky is blocked by a central cloud in the painting. The colors of the sky shift from the realistic towards the abstract with bold colors, to emphasize a spiritual essence. [2] Mondrian would fully transition to Neoplasticism in 1917, and in 1919 said of his transition: I expressed myself by means of nature.
Piet is an esoteric programming language named after Piet Mondrian in which programs look like abstract art. [57] Mondrian is a software for interactive data visualization named after him. Mondrian is a functional scripting language designed by Microsoft Research for the .NET platform. [58]
Evolution is an early painting by the Dutch artist Piet Mondrian. It was executed in 1911, after the artist had visited Paris. The painting represents a mid-point in Mondrian's journey from realistic landscapes to radical abstraction. Symbolic in form and with stylised lines, it was Mondrian's last painting where he painted a human form.
American artists also benefited from the presence of Piet Mondrian, Fernand Léger, Max Ernst, and the André Breton group, Pierre Matisse's gallery, and Peggy Guggenheim's gallery The Art of This Century, as well as other factors. Hans Hofmann in particular as teacher, mentor, and artist was both important and influential to the development ...
In 1917, Mondrian was one of the founding members of the Dutch art group De Stijl ("The Style"), an abstract movement which sought unification of material and spiritual worlds through pure geometry. Composition with Grid No. 1 , painted in 1918, was an early painting to adopt this style.
By the early 1960s, minimalism emerged as an abstract movement in art (with roots in the geometric abstraction of Kazimir Malevich, [199] the Bauhaus and Piet Mondrian) that rejected the idea of relational and subjective painting, the complexity of Abstract Expressionist surfaces, and the emotional zeitgeist and polemics present in the arena of ...