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Pyotr Ilyich Tchaikovsky's Piano Concerto No. 2 in G major, Op. 44, was written in 1879–1880 and dedicated to Nikolai Rubinstein, who had insisted he perform it at the premiere as a way of making up for his harsh criticism of Tchaikovsky's First Piano Concerto. But Rubinstein never played it, as he died in March 1881, and the work has never ...
For a complete list of Tchaikovsky's works, including those without opus numbers, see here. [1] For more detail on dates of composition, see here. [2] Op. 1 Two Pieces for piano (1867) Scherzo à la russe in B ♭ major; Impromptu in E ♭ minor; Op. 2 Souvenir de Hapsal, 3 pieces for piano (1867) Op. 3 The Voyevoda, opera (1868)
Tchaikovsky had voiced his dislike for the sound of piano and orchestra while writing his Second Piano Concerto [5] with his isolating the soloist from the orchestra as much as possible. Tchaikovsky scholar David Brown notes that the middle section of the quasi Rondo of the Fantasia, written for piano solo, "was the logical goal toward which ...
Souvenir d'un lieu cher (Memory of a Dear Place or Memory of a Beloved Place, sometimes Souvenir of a Beloved Place; [1] Russian: Воспоминание о дорогом месте), Op. 42, is a set of three pieces for violin and piano, written by Pyotr Ilyich Tchaikovsky in 1878. [2] [3]
Pyotr Ilyich Tchaikovsky, circa 1875; portrait by Charles Reutlinger. Capriccio italien, Op. 45, is a 15-minute fantasy for orchestra by Pyotr Ilyich Tchaikovsky.Composed between January and May 1880, it premiered on 18 December that year (New System) in Moscow with Nikolay Rubinstein conducting the Orchestra of the Imperial Russian Musical Society. [1]
The Violin Concerto in D major, Op. 35 was the only concerto for violin composed by Pyotr Ilyich Tchaikovsky. Composed in 1878 , it is one of the best-known violin concertos . The concerto was composed in Clarens , Switzerland, where Tchaikovsky was recovering from the fallout of his ill-fated marriage.
Tchaikovsky Piano Concerto No. 2 may refer to Piano Concerto No. 2 (Tchaikovsky), the second of piano concertos of Pyotr Ilyich Tchaikovsky; Tschaikovsky Piano Concerto No. 2, a 1941 ballet by George Balanchine, to the above music.
The piece borrows from other compositions Tchaikovsky was working on at the time. The beginning is quoted from Oxana's challenge to Vakula in Act II, Scene 2 of Vakula the Smith/Cherevichki. [7] A melody in the central section mirrors a melody from the slow movement of the Piano Concerto No. 1. [7]