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Potters occasionally substituted manganese or iron oxide for cobalt oxide to produce brown, instead of blue, decorations on the pottery. In the last half of the 19th century, potters in New England and New York state began producing stoneware with elaborate figural designs such as deer, dogs, birds, houses, people, historical scenes and other ...
English: Bloomers Matchsafe, late 19th century. Description: English: In the form of a pair of women's bloomers, featuring simulated creases and lace cuffs. Lid on ...
A pair of bloomers, 1981. Bloomers, also called the bloomer, the Turkish dress, the American dress, or simply reform dress, are divided women's garments for the lower body. They were developed in the 19th century as a healthful and comfortable alternative to the heavy, constricting dresses worn by American women.
An exhibition of early American pottery in 1931 presented a “Commeraw Stoneware Jug.” [2] Although the catalogue did not yet reflect the erroneous spelling of “Commereau” that would become popular with later pottery catalogues, such as Ketchum's important record of New York potters, it also did not mention the ethnicity of Commeraw, leaving the reader to assume that he was an American ...
Syracuse China, located in Lyncourt, New York (a suburb of Syracuse), was a manufacturer of fine china. Founded in 1871 as Onondaga Pottery Company (O.P. Co.) in the town of Geddes, the company initially produced earthenware; in the late 19th century, O.P.Co., began producing fine china, for which it found a strong market particularly in hotels, restaurants, and railroad dining cars.
The Ridgway family was one of the important dynasties manufacturing Staffordshire pottery, with a large number of family members and business names, over a period from the 1790s to the late 20th century. In their heyday in the mid-19th century there were several different potteries run by different branches of the family.
East Liverpool, Ohio, was the manufacturing base of much of the yellowware used in the United States during the mid- to late 19th century. It has been estimated that "between 1865 and 1885, Ohio alone produced half of America's yellowware". [4] By the early 20th century, yellowware was no longer fashionable. [5]
Palissy's distinctive style of polychrome lead-glazed earthenware [1] in a sombre earth-toned palette, using naturalistic scenes of plants and animals cast from life, [2] was much imitated by other potters both in his own lifetime and especially in the 19th century. In this revival, pottery in Palissy's style was produced by Charles-Jean ...
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