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Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
Deleuze uses the introduction to clarify the term "repetition." Deleuze's repetition can be understood by contrasting it to generality. Both words describe events that have some underlying connections. Generality refers to events that are connected through cycles, equalities, and laws.
The Fold started to influence architectural design and theory shortly after it was published in 1988. [2] Greg Lynn's guest-edited 1993 March-April issue of Architectural Design, which is titled Folding in Architecture, was one of the first publications that associated Deleuze's writing on the Baroque with contemporary architecture.
Assemblage (from everyday French: agencement, - arrangement, layout, "a collection of things which have been gathered together or assembled") is a philosophical concept developed by Gilles Deleuze and Félix Guattari [1] and subsequently taken up by other theorists, such as Bruno Latour and Michel Callon who developed Actor-network theory, [2] Manuel DeLanda in his work on assemblage theory [3 ...
Gilles Deleuze and Félix Guattari note that deterritorialization and reterritorialization occur simultaneously. The function of deterritorialization is defined as "the movement by which one leaves a territory", also known as a " line of flight ", but deterritorialization also "constitutes and extends" the territory itself.
Schizoanalysis (or ecosophy, pragmatics, micropolitics, rhizomatics, or nomadology) (French: schizoanalyse; schizo-from Greek σχίζειν skhizein, meaning "to split") is a set of theories and techniques developed by philosopher Gilles Deleuze and psychoanalyst Félix Guattari, first expounded in their book Anti-Oedipus (1972) and continued in their follow-up work, A Thousand Plateaus (1980).
The first three chapters of Cinema 2, each outlining a number of ways of approaching what Deleuze calls "the time-image". The first chapter explores the works of various filmmakers who were, according to Deleuze, precursors to time-images.
Masochism: Coldness and Cruelty (French: Présentation de Sacher-Masoch) is a 1967 book by the philosopher Gilles Deleuze, originally published in French as Le Froid et le Cruel (Les Éditions de Minuit, 1967), in which the author philosophically examines the work of the late 19th-century Austrian novelist Leopold von Sacher-Masoch.