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"Evil Ways" is a song made famous by Mexican-American rock band Santana from their 1969 self-titled debut album. It was written by Clarence "Sonny" Henry and originally recorded by jazz percussionist Willie Bobo on his 1967 album Bobo Motion. Alongside Santana's release in 1969, "Evil Ways" was also recorded by the band The Village Callers. [3]
Download as PDF; Printable version; In other projects Wikidata item ... Evil Ways may refer to: "Evil Ways" (Drake song) "Evil Ways" (Santana song) This page was last ...
"Evil Ways" is a song by Canadian rapper Drake from For All the Dogs Scary Hours Edition (2023), a reissue of his eighth studio album For All the Dogs (2023). It features American rapper J. Cole and was produced by Vinylz , Boi-1da , FnZ and Fierce.
Billboard praised the use of the title lyrics as a hook. [8] Cash Box noted the 20th-century influences and "commercial qualities" of the song, stating "from the classic hookline — a recurring four notes from ' Anchors Aweigh ,' through an electronic schism from a dramatic TV serial two-thirds of the way through."
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
The book has since been published in a case-size edition by William Bay, Mel's son and has spawned a series of similar books like the Encyclopedia of Guitar Chord Progressions (first published in 1977 [3]), Encyclopedia of Guitar Chord Inversions, Mel Bay's Deluxe Guitar Scale Book, Encyclopedia of Jazz Guitar Runs, Fills, Licks & Lines, and ...
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
Backdoor compared with the dominant (front door) in the chromatic circle: they share two tones and are transpositionally equivalent. In jazz and jazz harmony, the chord progression from iv 7 to ♭ VII 7 to I (the tonic or "home" chord) has been nicknamed the backdoor progression [1] [2] or the backdoor ii-V, as described by jazz theorist and author Jerry Coker.