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Post-War art in Chicago was more figurative and less abstract than the New York fashion dictated, and was largely ignored by New York dealers and critics. [4] Chicago artists rejected the abstract aesthetics of New York modernists, preferring strong surrealism, "following their own vision," [1] and "savage political satire." [5]
For artists with more than one type of work in the collection, or for works by artists not listed here, see the Artic website or the corresponding Wikimedia Commons category. Of artists listed, less than 10% are women. For the complete list of artists and their artworks in the collection, see the website.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
He was also a prolific essay writer and public lecturer, [19] [20] and was a frequent panelist, exhibition juror, and active participant in Chicago's art community as a member of the Chicago Society of Artists and American Jewish Art Club (president, one term), and as co-founder and president of Chicago's first post-war, artist-run cooperative ...
Brígida del Río, the Bearded Lady of Peñaranda; 1590, 102 × 61 cm, Prado Museum.. Sánchez Cotán was born in the town of Orgaz, near Toledo, Spain.He was a friend and perhaps pupil of Blas de Prado, an artist famous for his still lifes whose mannerist style with touches of realism the disciple developed further.
Roger Brown (December 10, 1941 – November 22, 1997) was an American artist and painter. Often associated with the Chicago Imagist groups, he was internationally known for his distinctive painting style and shrewd social commentaries on politics, religion, and art.
An 1893 sketch of the new Art Institute of Chicago showing most of today's Grant Park still submerged under Lake Michigan with the railroad tracks running along the shoreline behind the museum In 1866, a group of 35 artists founded the Chicago Academy of Design in a studio on Dearborn Street, with the intent to run a free school with its own ...
Stanisław Szukalski (13 December 1893 – 19 May 1987) was a Polish sculptor and painter who became a part of the Chicago Renaissance. [1] Szukalski's art appears to show influences from ancient cultures, Egypt, Slavs, and Aztecs combined with elements of art nouveau and other currents of early 20th century European modernism - cubism, expressionism, futurism.