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It was originally released as the title track of the album Still Got the Blues. [2] The song was released as a single and reached number 31 on the UK Singles Chart in May 1990. [3] It is the only single of Moore's solo career to chart on the US Billboard Hot 100, where it reached number 97 on 16 February 1991. [4]
Still Got the Blues is the eighth solo studio album by Northern Irish guitarist Gary Moore, released in March 1990. [3] It marked a substantial change in style for Moore, who had been predominantly known for rock and hard rock music with Skid Row, Thin Lizzy, G-Force, Greg Lake and during his own extensive solo career, as well as his jazz fusion work with Colosseum II.
"Backlash Blues," one of Simone's civil rights songs. The lyrics were written by her friend and poet Langston Hughes . "I Want a Little Sugar in My Bowl," based on a song by Simone's great example, Bessie Smith , but with somewhat different lyrics.
The Best of the Blues is a 2002 two-CD compilation album by Gary Moore.The first disc contains songs from his 1990s blues albums After Hours, Blues Alive, Blues for Greeny and, most prominently, Still Got the Blues.
The eleven separate records which compose "Blue Guitars" could as well stand on their own; in combination, however, they provide a journey through the different epochs of the Blues, showing the various components that have been added to the original African Blues over time, the changes in instrumentation, style, lyrical expression and thematic implications.
Blues Alive is a live album by Northern Irish guitarist Gary Moore, released in May 1993. [3] It is a collection of recordings taken from his 1992 tour and draws most of its material from Moore's then-recent Still Got the Blues and After Hours albums.
Seventh chords are a type of chord that includes the 7th scale degree (that is, the 7th note of the scale). There are different types of 7th chords such as major 7ths, dominant 7ths, minor 7ths, half diminished 7ths, and fully diminished 7ths. [8] These chords are similar with slight changes, but are all centered around the same key center.
Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...
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