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Year Title Album 2005 "Stay" Half Empty Half Full "Sorry" "Ulan" 2006 "Can't Let You Go" "24 Hours" "Back to Me" Back to Me "Borrowed Time" 2007
Formed in 1998 in Cebu by Fritz Labrado, Jovan Mabini and Mike Manaloto, the word Cueshé is a portmanteau of "Cue", from banana cue; a snack delicacy in the Philippines, which are skewered bananas coated with caramel, and the pronoun "shé" (pronounced shay) is a reference to their former vocalist, which is a female (she) who joined in 1999.
Back to Me is the second album by Cueshé, released in August 2006. [1] It contains a cover version of the John Lennon song, "Jealous Guy". the music video of the carrier single "Back to Me" was premiered exclusively at MYX Music Channel on July 28, 2006.
In 1984, P.D.Q. Bach (a.k.a. Peter Schickele) lampooned the song in his opera The Abduction of Figaro in the aria "Stay with Me". [28] Lyrics from the song were interpolated on reggae artist Buju Banton's song "Hush Baby Hush" on his 1995 album 'Til Shiloh. Australian group Human Nature included their version of the song on the 2014 album Jukebox.
Stay (mechanics), a structural element designed to resist forces, usually along its axis. Stay, in a cable-stayed bridge; Stay, bone (corsetry), one of the rigid parts of a corset
"Stay" is a song by Russian-German electronic music producer Zedd and Canadian singer Alessia Cara. The single was released on 23 February 2017 through Interscope Records, and is also featured on the Japanese edition of Cara's second studio album, The Pains of Growing. [4] The official music video was released on YouTube on 18 April 2017.
"Stay" is the debut single of American singer-songwriter Ne-Yo, which led to the release of his debut studio album, In My Own Words (2006). Released commercially by Def Jam Recordings in September 2005, it was written by Ne-Yo, Ron "Neff-U" Feemster , Ray Blaylock, Solomon Ridge Jr., and rapper Peedi Peedi —who is also featured on the song.
"Stay" is an acoustic ballad. [3] It is composed in the key of C major, with a tempo of 86 beats per minute. Malone's vocals span from C 3 to G 4. [4] Billboard said of the track that it has a "1970s AM radio vibe" [3] and described it as "a hybrid of Britpop melody and emo bloodiness". [5]