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A tulipiere or tulip-holder is an ornate vessel in which to grow tulips and is usually made of hand-crafted pottery, classically delftware. They are typically constructed to accommodate one bulb per spout with a larger common water reservoir base.
The Flower-holder (Tulpenvaas) is one of a matching pair of tulip vases dated to ca. 1690 and currently in the collection of Museum Het Prinsenhof. [1]The pair was created in the tin-glazed delftware company called "De Griekse A" ("The Greek A") in Delft.
A painting by the Dutch artist Jacob de Gheyn II, 'Vase of Flowers with a Curtain' in 1615, has several tulips including a hybrid Tulipa hungarica crossed with Tulipa agenensis. While Osias Beert I painting Flowers in a glass vase in a niche (undated but c.1606), also has several tulips including the Red tulip, Tulipa agenensis. [8]
Hans Gillisz. Bollongier, Flowers in a glass vase, München, 1640. Bollongier was born and died in Haarlem. According to the RKD little is known of his early life. He became a member of the Haarlem Guild of St. Luke in 1623, and in 1675 his younger brother Horatio was named as his beneficiary. [1] He was a specialist in bouquets of blooms. [1]
The stackable tulip vases were made like that because the potters weren't able to make the vase out of one piece around 1700; it would collapse while firing it. Tulips were introduced in the Netherlands at the end of the 16th century; the bulbs came from Turkey and became a very expensive, fashionable flower. To this day tulips are very popular ...
Roses and a tulip in a glass vase. He left his native Mechelen for Antwerp where in 1631 or 1632 he started his training as a painter with his brother-in-law Theodoor Rombouts who had married his sister Anna in 1627. Rombouts was a leading history and genre painter who had studied in Italy where he had become a follower of Caravaggio. [4]
Here, the Dutch elite thought that having their own special tulip bulbs was a must, and this made the prices go up, even though tulips themselves weren't worth much. [71] In the 17th century, it was unimaginable to most people that something as common as a flower could be worth so much more money than most people earned in a year.
The flaming red and gold tulip at the top is a variety quite common in Dutch gardens today, but is actually suffering from the tulip breaking virus that gives it that "flaming" striped effect. This painting is symbolic of the popular appreciation of tulips that would reach amazing heights in the so-called Tulip Mania that was yet to come.