Search results
Results from the WOW.Com Content Network
Mak yong (Jawi: مق يوڠ ; Thai: มะโย่ง, RTGS: ma yong) is a traditional form of dance-drama from northern Malaysia, particularly the state of Kelantan. It was banned by the Pan-Malaysian Islamic Party because of its animist and Hindu - Buddhist roots which pre-date Islam in the Asian region by far. [ 1 ]
A Japanese chimera with the features of the beasts from the Chinese Zodiac: a rat's head, rabbit ears, ox horns, a horse's mane, a rooster's comb, a sheep's beard, a dragon's neck, a back like that of a boar, a tiger's shoulders and belly, monkey arms, a dog's hindquarters, and a snake's tail.
Malaysian folklore is the folk culture of Malaysia and other indigenous people of the Malay Archipelago as expressed in its oral traditions, written manuscripts and local wisdoms. Malaysian folklores were traditionally transmitted orally in the absence of writing systems.
Izanagi: (伊邪那岐神) was a creation deity; he makes up the seventh generation of the Kamiyonanayo, along with his wife and sister, Izanami. [1]Izanami: (伊邪那美神) was a creation deity; she makes up the seventh generation of the Kamiyonanayo, along with her husband and brother, Izanagi.
In the Kojiki, Ōkuninushi used to rule the world, but he relinquished control during the Kuni-yuzuri to transfer control to the Amatsukami.He made a request that a magnificent palace – rooted in the earth and reaching up to heaven – be built in his honor, and then withdrew himself into the "less-than-one-hundred eighty-road-bendings" (百不足八十坰手 momotarazu yasokumade, i.e. the ...
Sculpture depicting the Prince disguised as Chao Ngo, at King Rama II Memorial Park. Sang Thong (Thai: สังข์ทอง, 'golden conch'), The Prince of the Golden Conch Shell [1] or Phra Sang Thong [2] is a Southeast Asian folktale inspired from the Paññāsa Jātaka, this wisdom book it is a canonical collection of ancient tales told in Thailand.
There are many Malay ghost myths (Malay: cerita hantu Melayu; Jawi: چريتا هنتو ملايو), remnants of old animist beliefs that have been shaped by Hindu-Buddhist cosmology and later Muslim influences, in the modern states of Brunei, Indonesia, Malaysia, and Singapore and among the Malay diaspora in neighbouring Southeast Asian countries.
A representative sampling of Japanese folklore would definitely include the quintessential Momotarō (Peach Boy), and perhaps other folktales listed among the so-called "five great fairy tales" (五大昔話, Go-dai Mukashi banashi): [3] the battle between The Crab and the Monkey, Shita-kiri Suzume (Tongue-cut sparrow), Hanasaka Jiisan (Flower-blooming old man), and Kachi-kachi Yama.