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Yggdrasil (from Old Norse Yggdrasill) is an immense and central sacred tree in Norse cosmology. Around it exists all else, including the Nine Worlds . Yggdrasil is attested in the Poetic Edda compiled in the 13th century from earlier traditional sources, and in the Prose Edda compiled in the 13th century by Snorri Sturluson .
The Magdala stone is a carved stone block unearthed by archaeologists in the Migdal Synagogue in Israel, dating to before the destruction of the Second Temple in Jerusalem in the year 70. It is notable for detailed carvings depicting the Second Temple , carvings made while that Temple still stood and therefore assumed to have been made by an ...
The term First Temple is customarily used to describe the Temple of the pre-exilic period, which is thought to have been destroyed by the Babylonian conquest. It is described in the Bible as having been built by King Solomon and is understood to have been constructed with its Holy of Holies centered on a stone hilltop now known as the Foundation Stone which had been a traditional focus of ...
Gamla Uppsala, the centre of worship in Sweden until the temple was destroyed in the late 11th century. Rudolf Simek says that, regarding Adam of Bremen's account of the temple, "Adam's sources for this information are of extremely varying reliability, but the existence of a temple at Uppsala is undisputed." The question is if this temple was ...
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But, almost 125 years later, the original portrait’s outlines have been revealed by the Courtauld Institute of Art in London, when they examined the artwork using infrared and X-ray imaging ...
Yggdrasil (Old Norse 'Yggr's horse') is a cosmic tree from which Odin sacrificed himself, and which connects the Nine worlds. 19th century scholar Jakob Grimm connects the name Irmin with Old Norse terms like iörmungrund ("great ground", i.e. the Earth) or iörmungandr ("great snake", i.e. the Midgard serpent). [3]
In the art business, the artistic value of a well-executed forgery is irrelevant to a curator concerned with the authenticity of provenance of the original work of art [20] — especially because formally establishing the provenance of a work of art is a question of possibility and probability, rarely of certainty, unless the artist vouches for ...