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Wire sculpture is the creation of sculpture out of wire. The use of metal wire in jewelry dates back to the 2nd Dynasty in Egypt and to the Bronze and Iron Ages in Europe. [ 1 ] In the 20th century, the works of Alexander Calder , Ruth Asawa , and other modern practitioners developed the medium of wire sculpture as an art form.
Ruth Aiko Asawa (January 24, 1926 – August 5, 2013) was an American modernist artist known primarily for her abstract looped-wire sculptures inspired by natural and organic forms. In addition to her three-dimensional work, Asawa created an extensive body of works on paper, including abstract and figurative drawings and prints influenced by ...
In 2014 a visitor shared a photo of one of the sculptures and Wight's Fantasywire Facebook page swelled to 440,000 followers. [3] [4] Robin Wight has created four Dancing with Dandelions sculptures, which he calls "One o'clock Wish". He called it his signature piece and has said it is the most requested sculpture.
The wire is affixed to a base which is usually made of wood. The artist then begins fleshing out the sculpture by adding wax or clay over the wire. Depending on the material and technique, the armature may be left buried within the sculpture but, if the sculpture is to be hollowed out for firing, it must 1 be removed.
Kendra Haste is a British wildlife artist who produces both public and privately commissioned sculptures using galvanised chicken wire mesh to create wire sculptures of wild animals. She is a member of the Society of Wildlife Artists , the Royal British Society of Sculptors and the Society of Animal Artists .
American Bison, is a public sculpture by American wire sculptor William E. Arnold, located in Indianapolis, Indiana within White River State Park. The sculpture is a life-sized male bison constructed of barbed wire, densely coiled and woven. The figure is facing north and stands on a rough limestone block base.
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Sophie Ryder was born in London, England, in 1963. She studied combined arts at the Royal Academy of Arts from 1981 to 1984, focusing initially on painting. She changed her focus when the Royal Academy's director, Sir Hugh Casson, encouraged her skills development in sculpture.
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