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Hypermodernism is not a debate over truth or untruth as per modernism/postmodernism; rather it is a debate over what is and is not an extraneous attribute. Synchrony between previously-clashing objects (now attributes) and amorphous self-identity coupled with allusions to a magical existence acknowledge the movement.
If distinguished from hypermodernity, supermodernity is a step beyond the ontological emptiness of postmodernism and relies upon plausible heuristic truths. Whereas modernism focused upon the creation of great truths (or what Lyotard called "master narratives" or "metanarratives"), and postmodernity was intent upon their destruction (deconstruction); supermodernity operates extraneously of ...
Hypermodernism may refer to: Hypermodernism (chess), a chess strategy which advocates controlling the center of the board with distant pieces rather than pawns; Hypermodernism (art), a cultural, artistic, literary and architectural movement; Hypermodernity, a deepening or intensification of modernity
Hypermodernism is a school of chess that emerged after World War I. It featured challenges to the chess ideas of central European masters, including Wilhelm Steinitz 's approach to the centre and the rules established by Siegbert Tarrasch .
Richard Selig Réti (28 May 1889 – 6 June 1929) was an Austro-Hungarian, later Czechoslovak, chess player, chess author, and composer of endgame studies.. He was one of the principal proponents of hypermodernism in chess.
My System (German: Mein System) is a book on chess theory written by Aron Nimzowitsch.Originally over a series of five brochures from 1925 to 1927, the book—one of the early works on hypermodernism—introduced many new concepts to followers of the modern school of thought.
High modernism (also known as high modernity) is a form of modernity, characterized by an unfaltering confidence in science and technology as means to reorder the social and natural world.
This domination ushered in a new age of chess known as the "Modern", or Classical school, which would last until the 1930s when hypermodernism started becoming popular. The Romantic era is generally considered to have reached its peak with Alexander McDonnell and Louis-Charles Mahé de La Bourdonnais, the two dominant chess players of the 1830s.