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Wayang golek began using the accompaniment of sinden in the 1920s. Until now the wayang golek continues to develop as entertainment for the community, especially in Sundanese land. In this wayang golek show, as with other wayang shows, plays and stories are played by a puppeteer. The difference is the language in the dialogue that is brought is ...
Cepot is humorous and easy going, everything Cepot says tends to be funny, and Cepot's act has many slapstick jokes, mostly done together with its antagonist wayang golek character. Cepot in wayang golek puppetry also has other, good looking faces: Astrajingga, described with its straight, humble, good looking and white face. Cepot is the ...
Rama and Shinta in Ramayana Ballet performance near Prambanan temple complex Golek Ayun-ayun, a Javanese court dance of Yogyakarta. The courtly Javanese palace dance is the type of dances that developed, nurtured and fostered by Javanese Kratons, mainly Yogyakarta Sultanate and Surakarta Sunanate, the patrons of Javanese Mataram culture ...
Depiction of the villain Menak Jingga in a wayang klitik puppet. Damarwulan is a prince by birth, a nephew of the prime minister, Patih Lohgender, but was raised in the hermitage of his grandfather. Following his grandfather's advice, he goes to the Majapahit court seeking worldly experiences and employment.
This is home to some of the oldest Muslim kingdoms in Java and it is likely that the wayang golek grew in popularity through telling the wayang menak stories of Amir Hamza, the uncle of Muhammad. These stories are still widely performed in Kabumen, Tegal, and Jepara as wayang golek menak, and in Cirebon, wayang golek cepak.
Similar characters appear in other Indonesian wayang and theatrical traditions, including those of Bali and Sunda, under different names. [ 6 ] [ 7 ] The panakawan characters are generally much-loved by audiences who attend wayang plays in Indonesia and their appearance in the plays is usually greeted with laughter and anticipation.
Wayang Golek, a traditional Sundanese puppetry. Wayang golek is a traditional form of puppetry from Sunda. Unlike the better-known leather shadow puppets ( wayang kulit ) found in the rest of Java and Bali, wayang golek puppets are made from wood and are three-dimensional, rather than two.
A wayang kulit performance accompanied by a gamelan orchestra, between 1862 and 1872. Wayang is the traditional puppet theatre of Indonesia. [6] [7] [8] It is an ancient form of storytelling known for its elaborate puppets and complex musical styles. [9]