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The Captive is a 2014 Canadian thriller film directed by Atom Egoyan with a script he co-wrote with David Fraser. The film stars Ryan Reynolds , Bruce Greenwood , Scott Speedman , Rosario Dawson , Mireille Enos , Kevin Durand , and Alexia Fast .
A statue in Buenos Aires honoring Esteban Echeverría remembers his words: "You Argentines fight for the May Democracy and your cause is not only legitimate but also holy in the eyes of God and the free nations of the world" (Vosotros argentinos lucháis por la democracia de Mayo y vuestra causa no sólo es legítima sino también santa ante los ojos de Dios y de los pueblos libres del mundo).
“The Captive” centers on the origin story of a young Miguel de Cervantes, the author of the novel “Don Quixote,” as he was taken captive at the age of 28 by the Moors in Algiers. The film ...
The South Matadero, Buenos Aires (water colour by Emeric Essex Vidal, 1820).The story was set there about 20 years later. The Slaughter Yard (Spanish El matadero, title often imprecisely translated as The Slaughterhouse, is a short story by the Argentine poet and essayist Esteban Echeverría (1805–1851).
Sexual fluidity has been one of the hallmarks of vampiric portrayals throughout history. But lesbian vampires, in particular, have enjoyed a certain popularity.
In the van, Phil cuts the duct tape holding his hands, but before he can start the van to get away, he hears gunshots and sees the light flashing inside the house several times, suggesting that Eve shoots Ronnie dead. At that time, the police arrive at the warehouse and free all captive girls there, including Lea.
In a Dark, Dark Room and Other Scary Stories is a collection of horror stories, poems and urban legends retold for children by Alvin Schwartz and illustrator Dirk Zimmer. It was published as part of the I Can Read! series in 1984. In 2017 the book was re-released with illustrations by Spanish freelance illustrator Victor Rivas. [1]
The Captive is a Spanish-Italian co-production by MOD Producciones, Himenóptero, Misent Producciones and Propaganda Italia and it had the participation of Netflix, RTVE, and RAI Cinema and backing from ICAA, Generalitat Valenciana, and Eurimages. [2] [3] It boasted a reported budget of around €14 million. [5]