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Louise Bogan (August 11, 1897 – February 4, 1970) was an American poet. [1] ... Poems, and shortly after was hired as a poetry editor for The New Yorker. [3]
Her Poems: A Selection won the 1954 Bollingen Prize. In a review of the book, Louise Bogan wrote: "Poems such as "Companions of the Morass," "For Harvest," "Grapes Making," and "The Runner with the Lots" spring from and are indications of a poetic endowment as deep as it is rare." [13]
Léonie Adams, Poems [16] W. H. Auden, The Shield of Achilles, English poet living in the United States at this time; Louise Bogan, Collected Poems, 1923–1953 [16] E. E. Cummings, Poems, 1923–1954 [16] Babette Deutsch, Animal, Vegetable, Mineral [16] Anthony Hecht, A Summoning of Stones [16] Daniel G. Hoffman, An Armada of Thirty Wales [16]
author; Pulitzer Prize for Louise Bogan: A Portrait; Cheat and Charmer: A Novel, Joseph E. Harry Chair in Modern Languages and Literature, Bard College B.A. M. B. Goffstein: 1962 author-illustrator; books, Natural History, An Artist, Fish for Supper, Artists' Helpers Enjoy the Evenings, Biography of Miss Go Chi: Novelettos & Poems: B.A. Tod ...
Ted Berrigan – poet, part of the second generation of the New York School; author of The Sonnets [68] John Berryman – poet; one of the founders of the Confessional school of poetry [68] Louise Bogan – poet, translator, and critic; served as Poet Laureate of the United States 1945–1946 [68]
Louise Bogan retires after 38 years as poetry critic for The New Yorker. Tish literary magazine, founded in Vancouver, British Columbia, Canada, in 1961 and published intermittently thereafter, prints its last issue. Poets associated with the magazine included Frank Davey, Fred Wah, George Bowering, and, briefly, bpNichol when he lived in ...
She worked at The New York Evening Post, Contemporary Verse, [4] Measure (1921–1925), [5] [6] and was an editor at E. P. Dutton. [7] She was a friend of Louise Bogan, [8] and Gore Vidal. [9] She corresponded with George Dillon. [10] She was a finalist for a Pulitzer Prize in 1953. [11]
Poems from Rilke's The Book of Hours were used. [3] New, free translations into English were employed. [2] Other tracks were based on some of the Blue Estuaries poems of Louise Bogan; [3] [4] these were written in strophes. [2] The title track was written by Fleurine. [4] All of the music was either composed or "well-prepared if not entirely ...