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Zindagi Na Milegi Dobara (transl. Life Will Never Come Again), is a 2011 Indian Hindi-language road comedy drama film directed by Zoya Akhtar and produced by Farhan Akhtar and Ritesh Sidhwani under Excel Entertainment.
English Babu Desi Mem: 1167 "Deewana Main Tera Deewana" Nikhil-Vinay Sameer 1168 "Dhol Baje Khuddam" Vinod Rathod 1169 "O Bijuria Sun" Udit Narayan, Jolly Mukherjee Fareb: 1170 "Aankhon Se Dil Mein Utar Ke" Jatin-Lalit Neeraj Kumar Sanu 1171 "Pyar Ka Pehla Pehla" 1172 "O Humsafar" (duet) Udit Narayan 1173 "O Humsafar" solo Ghatak: Lethal: 1174
Dosti (transl. Friendship) is a 1964 Indian Hindi-language drama film directed by Satyen Bose, produced by Tarachand Barjatya, and distributed by Rajshri Productions.The film focuses on the friendship between two boys: one blind (Sudhir Kumar Sawant) and the other physically disabled (Sushil Kumar Somaya ).
"Chahunga Main Tujhe" is an Indian Hindi song from the Bollywood film Dosti (1964). The lyrics of the song was written by Majrooh Sultanpuri, and the music was composed by Laxmikant–Pyarelal. Mohammed Rafi was the playback singer of this song. In 1965 Majrooh Sultanpuri received Filmfare award in the best lyrics category for this song. [1]
"Mujh Se Pehli Si Mohabbat Mere Mehboob Na Maang" (translated as "My love, don’t ask me for the love I once gave you") is an Urdu nazm by Faiz Ahmad Faiz. [1] The song is popular through its rendition by singer Noor Jehan and has been notably performed by many others.
Dosti: Friends Forever is a 2005 Indian Hindi-language romantic drama film directed by Suneel Darshan starring Bobby Deol, Akshay Kumar, Kareena Kapoor and Lara Dutta. Juhi Chawla makes a special appearance.
Dosti (Urdu: دوستی; English translation: "friendship") is the second compilation album and seventh overall album of the Pakistani rock band, Junoon.The album was released by Virgin Records India in 1998 and was produced by Brian O'Connell and Salman Ahmad. [1]
Rediff.com noted that "Though the film was initially dismissed as a wedding video, its success indicated that post-liberalisation, Indian audiences still clung to the comfort of the familiar." [ 55 ] Jigna Desai said that the film's popularity was due to interactions of the families around the traditional folk wedding practices. [ 56 ]