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  2. 12 equal temperament - Wikipedia

    en.wikipedia.org/wiki/12_equal_temperament

    12-tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. 12 equal temperament (12-ET) [a] is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 (≈ 1.05946).

  3. Equal temperament - Wikipedia

    en.wikipedia.org/wiki/Equal_temperament

    12 tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. An equal temperament is a musical temperament or tuning system that approximates just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequencies of any adjacent pair of notes is the same.

  4. Musical temperament - Wikipedia

    en.wikipedia.org/wiki/Musical_temperament

    This phenomenon gives rise to infinite shades of key-colors, which are lost in the modern standard version: 12-tone equal temperament (12-TET). Unlike meantone temperament , which alters the fifth to "temper out" the syntonic comma, 12-TET tempers out the Pythagorean comma , thus creating a cycle of fifths that repeats itself exactly after 12 ...

  5. Chromatic scale - Wikipedia

    en.wikipedia.org/wiki/Chromatic_scale

    In equal temperament, all the semitones have the same size (100 cents), and there are twelve semitones in an octave (1200 cents). As a result, the notes of an equal-tempered chromatic scale are equally-spaced. The chromatic scale...is a series of half steps which comprises all the pitches of our [12-tone] equal-tempered system.

  6. Microtonality - Wikipedia

    en.wikipedia.org/wiki/Microtonality

    The term "macrotonal" has been used for intervals wider than twelve-tone equal temperament, [75] [better source needed] or where there are "fewer than twelve notes per octave", though "this term is not very satisfactory and is used only because there seems to be no other". [76] The term "macrotonal" has also been used for musical form. [77]

  7. Meantone temperament - Wikipedia

    en.wikipedia.org/wiki/Meantone_temperament

    Twelve-tone equal temperament (12 TET) is obtained by making all semitones the same size, with each equal to one-twelfth of an octave; i.e. with ratios 12 √ 2 : 1. Relative to Pythagorean tuning , it narrows the perfect fifths by about 2 cents or ⁠ 1 / 12 ⁠ th of a Pythagorean comma to give a frequency ratio of 2 7 / 12 : 1 {\displaystyle ...

  8. List of meantone intervals - Wikipedia

    en.wikipedia.org/wiki/List_of_meantone_intervals

    The following is a list of intervals of extended meantone temperament.These intervals constitute the standard vocabulary of intervals for the Western common practice era. . Here 12 EDO refers to the size of the interval in the temperament with 12 equal divisions of the octave, which is the most common meantone temperament in the modern era, 19 EDO to 19 equal temperament, 31 EDO to 31 equal ...

  9. Quarter-comma meantone - Wikipedia

    en.wikipedia.org/wiki/Quarter-comma_meantone

    By definition, in quarter-comma meantone, one so-called "perfect" fifth (P5 in the table) has a size of approximately 696.6 cents ( 700 − ε cents, where ε ≈ 3.422 cents); since the average size of the 12 fifths must equal exactly 700 cents (as in equal temperament), the other one must have a size of 700 + 11 ε cents, which is about 737.6 ...