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Salome with John the Baptist's head, by Charles Mellin (1597–1649). Salome (/ s ə ˈ l oʊ m i, ˈ s æ l ə m eɪ /; Hebrew: שְלוֹמִית, romanized: Shlomit, related to שָׁלוֹם, Shalom "peace"; Greek: Σαλώμη), [1] also known as Salome III, [2] [note 1] was a Jewish princess, the daughter of Herod II and princess Herodias.
Salome's third husband was Alexas I . [2] Berenice's children were Herodias, Herod Agrippa I, king of Judea, Herod of Chalcis and Aristobulus Minor, and Mariamne III (who may have been the first wife of her uncle, Herod Archelaus, ethnarch of Judea). Salome I played a major background role in the court intrigues that plagued the royal family.
Salome delivers the head of John the Baptist, Juan de Flandes, 1496 Schematic family tree showing the Herods of the Bible. In the Gospels of Matthew and Mark, Herodias plays a major role in the execution of John the Baptist, using her daughter's dance before Antipas and his party guests to ask for the head of the Baptist as a reward. According ...
Salome, also known as Salome II, [1] was a Herodian princess, the daughter of Herod the Great (Herod I) and one of his lesser wives, Elpis, born in ~14 BCE. [2]She should not be confused with Salome, whose mother was Herodias, and who is alleged to have played a role in the death of John the Baptist.
Salome is a 1953 American drama Biblical film directed by William Dieterle and produced by Buddy Adler from a screenplay by Harry Kleiner and Jesse Lasky Jr. The music score was by George Duning, the dance music by Daniele Amfitheatrof and the cinematography by Charles Lang.
Salome with the Head of John the Baptist (c. 1510) by Sebastiano del Piombo. Salome with the Head of John the Baptist or The Daughter of Herodias is a circa 1510 oil on panel painting by Sebastiano del Piombo, now in the National Gallery, London, to which it was left by Salting in 1910. [1]
Thus, in the pyramidal group of figures, [17] the glances flow from the maid on the left, up to Salome at centre, and down to John at right, whose dead eyes are closed. The use of erotic allure on male figures of power is the core of both stories, but to the church and Titian's contemporaries, Herodias and Salome were bad, but Judith a heroine ...
Titian depicts the daughter of Herodias by her first husband Herod Philip. She was the wife successively of Philip the Tetrarch and Aristobulus, son of Herod of Chalcis. This Salome is the only one of the three who is mentioned in the New Testament, [1] and only in connection with the execution of John the Baptist.