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The Adoration of the Magi is a tondo, or circular painting, of the Adoration of the Magi assumed to be that recorded in 1492 in the Palazzo Medici Riccardi in Florence as by Fra Angelico. It dates from the mid-15th century and is now in the National Gallery of Art in Washington D.C.
The Adoration of the Magi is an unfinished early painting by the Italian Renaissance artist Leonardo da Vinci. Leonardo was given the commission by the Augustinian monks of San Donato in Scopeto in Florence in 1481, but he departed for Milan the following year, leaving the painting unfinished. It has been in the Uffizi Gallery in Florence since ...
Place of creation: Nuremberg : Credit line: Rosenwald Collection: References: Bartsch's Le Peintre Graveur, 87 (Grav.Bois) Albrecht Dürer: Complete woodcuts, 054; Catalogue of Early German and Flemish Woodcuts in the British Museum, Vol. 1, C. D. 47
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Detail of the painting. The canvas depicts the classic characters of the Adoration of the Magi, with Saint Joseph placed on the left of the canvas next to the Virgin and Child, and on the right the three Magi, one of them black and another an older man, accompanied by several soldiers and courtiers, who make up a procession winding through what appears to be a valley.
The Adoration of the Magi is a painting of 1633–34 by the Flemish Baroque artist Peter Paul Rubens, made as an altarpiece for a convent in Louvain. It is now in King's College Chapel, Cambridge, in England. It measures 4.2 m × 3.2 m (13 ft 9 in × 10 ft 6 in).