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Similar to The Love Boat (another Aaron Spelling production), the series featured various weekly guest stars. [1] The series was canceled after 23 episodes. The series' theme song, "Finder of Lost Loves", was performed by Dionne Warwick and Luther Vandross and written by Burt Bacharach and Carole Bayer Sager. [2]
Jon Robert Gibson (born January 3, 1962) [12] is an American singer, songwriter, multi-instrumental musician, and record producer.Originally a blue-eyed soul singer, he switched from secular music to contemporary Christian music in the late-1980s.
In the 1667 English epic poem Paradise Lost by John Milton, Michael commands the army of angels loyal to God against the rebel forces of Satan. Armed with a sword from God's armory, he bests Satan in personal combat, wounding his side.
John Michael Higgins (born February 12, 1963) is an American actor, game show host, and comedian whose film credits include Christopher Guest's mockumentaries, the role of David Letterman in HBO's The Late Shift, and a starring role in the American version of Kath & Kim.
Michael Card (born April 11, 1957) is an American Christian singer-songwriter, musician, author, and radio host from Franklin, Tennessee.He is best known for his contributions in contemporary Christian music, which combine folk-style melodies and instrumentation with an in-depth study of the Bible.
Finder of Lost Loves is a studio album by American singer Dionne Warwick.It was released by Arista Records on January 24, 1985, in the United States. Warwick worked with Richard Landis, Barry Manilow, and Stevie Wonder on the majority of the album, though she also reunited with Burt Bacharach for the first time in over a decade.
Michael soon discovers to his shock that Angel is a prostitute. Still determined to heed God's command and marry Angel, Michael pays the high fee for her services in hopes of convincing her to leave with him, but she stubbornly rejects his offer. Discouraged, Michael questions God, but still obeys.
William Blake illustrated Paradise Lost more often than any other work by John Milton, and illustrated Milton's work more often than that of any other writer.The illustrations demonstrate his critical engagement with the text, specifically his efforts to redeem the "errors" he perceived in his predecessor's work.