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An eclogue is a poem in a classical style on a pastoral subject. Poems in the genre are sometimes also called bucolics . The term is also used for a musical genre thought of as evoking a pastoral scene.
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
This eclogue is also known as Pharmaceutria ("Sorceress"). The poet reports the contrasting songs of two herdsmen whose music is as powerful as that of Orpheus. Both songs are dramatic (the character in the first being a man and in the second a woman), both have almost the same pattern of three-to-five-line stanzas, with a refrain after each one.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Anarâškielâ; العربية; Aragonés; Azərbaycanca; বাংলা; Башҡортса; Беларуская; Беларуская (тарашкевіца)
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
A musical piece containing works by different composers Ripieno concerto: padding concert: A form of Baroque concerto with no solo parts Serenata: Serenade: A song or composition in someone's honour. Originally, a musical greeting performed for a lover Soggetto cavato: carved subject: A musical cryptogram, using coded syllables as a basis for ...
Karakasis notes that, although Eclogue II is the only poem of Calpurnius that remains faithful to the traditional pastoral song-contest form, it can be construed as a deconstruction of the pastoral canon – citing (among other things) the introduction of characters with names unprecedented in previous pastoral poems and the use of epic ...