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Falstaff (Italian pronunciation:) is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play The Merry Wives of Windsor and scenes from Henry IV, Part 1 and Part 2 , by William Shakespeare .
Giuseppe Verdi. The following is a list of published compositions by the composer Giuseppe Verdi (1813–1901).. The list includes original creations as well as reworkings of the operas (some of which are translations, for example into French or from French into Italian) or subsequent versions of completed operas.
Giuseppe Fortunino Francesco Verdi (/ ˈ v ɛər d i /, Italian: [dʒuˈzɛppe ˈverdi]; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto, a small town in the province of Parma, to a family of moderate means, receiving a musical education with the help of a local patron ...
The "Operadis" discography lists more than seventy other recordings, made at live performances. They include those conducted by Sir Thomas Beecham at the Metropolitan Opera in 1944 with Leonard Warren in the title role; [4] Fritz Reiner with Warren at the Met (1948); [5] Victor de Sabata with Mariano Stabile at La Scala (1951); [6] Karajan and Gobbi at the Salzburg Festival (1957); [7] Tullio ...
The recent by Xover (talk · contribs) from Falstaff (opera) to Falstaff (Verdi) seems ill-advised to me. 1) That name has been in use for this article for a very long time, because 2) this is the best known opera of that name; 3) consequently, there are hundreds links to this name, including from other language Wikipedias; 4) the page mover didn't bother to adjust at least two significant ...
Ambrogio Maestri (born 1970) is an Italian operatic baritone.He is especially known for his portrayal of the title character in Giuseppe Verdi's Falstaff. [1] [2] He studied piano and singing in his home town, Pavia.
Bach Fugue in C WTC1 opening bars Bach Fugue in C BWV 846 opening bars. As the musical argument proceeds, the gap between the entries closes to two beats: Bach Fugue in C WTC1 bars 14ff Bach Fugue in C BWV 846 bars 14–16. In the final bars, the entries are even closer, with the upper two voices following at a distance of just one beat:
The fugue is connected to the other movements of Op. 130 by various hints of motifs, and by a tonal link to the preceding Cavatina movement (the Cavatina ends on a G, and the fugue begins with the same G). [14] The lively final movement which replaced the fugue is in the form of a contredanse and is completely
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