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Over 50 overbust and underbust corset styles are available, in fabrics including satin, silk, PVC, denim, glitter, velvet and brocade. Many designs are based on 19th century patterns that date to the founding of the company. Vollers is one of the more popular wholesale lines available, carried by many corset shops in Europe and North America
Woman's stays c. 1730–1740. Silk plain weave with supplementary weft-float patterning, stiffened with whalebone. Los Angeles County Museum of Art, M.63.24.5. [1]The corset is a supportive undergarment for women, dating, in Europe, back several centuries, evolving as fashion trends have changed and being known, depending on era and geography, as a pair of bodies, stays and corsets.
An "overbust corset" encloses the torso, extending from just under the arms toward the hips. An "underbust corset" begins just under the breasts and extends down toward the hips. A "longline corset"—either overbust or underbust—extends past the iliac crest, or the hip bone. A longline corset is ideal for those who want increased stability ...
The Spirella name was used by the Spirella Corset Company Inc that was founded in 1904 [2] in Meadville, Pennsylvania, USA. It was founded on a patent of dressbone, [3] for bustles, but started corset manufacture in 1904. The company manufactured made-to-measure corsets. Benefits for the company's employees included travel, education and health ...
The ribbon corset is made of pieces of ribbon, as opposed to fabric. In 1901, a simple pattern of silk ribbon, two bones, and a busk was available, allowing women to construct their own ribbon corsets. [2] A pseudo-ribbon corset looks like a ribbon corset but is made from cut cloth instead of ribbons. The outside seam of the cut cloth is sewn ...
Front Claps for corsets. A busk (also spelled busque) is a rigid element of a corset at the centre front of the garment. [1] Two types exist, one- and two-part busks. [2]Single-piece busks were used in "stays" and bodices from the sixteenth to early nineteenth centuries and were intended to keep the front of the corset or bodice straight and upright.
The corsets from the Great Exhibition in 1851 are in the Museum of London. [1] In 1860, she became a member of the Royal Society for the Encouragement of Arts, Manufactures & Commerce (RSA). By 1864, she had filed 24 patents. [2] She died on 2 August 1888 at Cambridge Lodge, St Leonard's East Sheen in Surrey. Her effects were valued at £6452 ...
Corsets were no longer fashionable, but they entered the underworld of the fetish, along with items such as bondage gear and vinyl catsuits, as well as alternative and runway fashions, as seen in the work of Vivienne Westwood [5] or in the goth subculture. They are often worn as top garments rather than underwear.
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