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This agama describes nonviolence, Jain metaphysics, and the refutation of other religious theories such as Kriyavada, Akriyavada, Ajnanavada, and Vinayavada. Sanskrit commentary has been done by Silanka who lived in the second half of the ninth century A.D. The agama is divided into two parts consisting of 16 lectures and 7 lectures respectively.
During the reign of Chandragupta Maurya (c. 324 or 321 – c. 297 BCE), Āchārya Bhadrabahu (c. 367 – c. 298 BCE), said to have been the last knower of the complete Jain agamas, was the head of Jain community. At this time, a long famine caused a crisis in the community, who found it difficult to keep the entire Jain canon committed to memory.
The Ācārāṅga Sūtra, the foremost and oldest Jain text (First book c. 5th–4th century BCE; Second book c. Late 4th–2nd century BCE), [1] is the first of the twelve Angas, part of the agamas which were compiled based on the teachings of 24th Tirthankara Mahavira.
Sthananga Sutra (Sanskrit: Sthānāṅgasūtra; Prakrit: Ṭhāṇaṃgasutta) [1] (c. 3rd–4th century BCE) [2] forms part of the first eleven Angas of the Jaina Canon which have survived despite the bad effects of this Hundavasarpini kala as per the Śvetāmbara belief.
Jain Śvetāmbara cosmological text with commentary and illustrations. The early Jains contemplated the nature of the earth and universe. They developed a detailed hypothesis on the various aspects of astronomy and cosmology. According to the Jain texts, the universe is divided into 3 parts: [7] Urdhva Loka – the realms of the gods or heavens
Vipākaśruta is the eleventh of the 12 Jain Angas, which are said to be promulgated by Māhavīra himself and composed by Ganadhara Sudharmaswami according to the Śvetámbara tradition. Vipākaśruta, which translates to "The Scripture about Ripening”, contains stories describing those who experience results relating to karmas.
It is a composition of 58 gathas (verses) giving an exposition of the six dravyas (substances) that characterize the Jain view of the world: sentient , non-sentient , principle of motion , principle of rest (adharma), space (ākāśa) and time . [1] It is one of the most important Jain works and has gained widespread popularity.
Jivantasvami images represent the Jain Tirthankara Mahavira (and in some cases other Tirthankaras) as a prince, with a crown and ornaments. [1] The Jina is represented as standing in the kayotsarga pose. [2] [3] Jivantasvami images have been used only in the Śvetāmbara Jain tradition, they are unknown in the Digambara tradition.
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