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The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists.Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist ...
The Seven Works of Mercy (Italian: Sette opere di Misericordia), also known as The Seven Acts of Mercy, is an oil painting by Italian painter Caravaggio, circa 1607.The painting depicts the seven corporal works of mercy in traditional Catholic belief, which are a set of compassionate acts concerning the material needs of others.
The painting of the Seven Works of Mercy by Frans II Francken (1605) represents the acts not as a picture cycle, but in one single composition. A major work of the iconography of mercy is the altarpiece of Caravaggio (1606/07) in Naples , which was commissioned by the Confraternità del Pio Monte della Misericordia for their church.
The painting was made for and is still housed in the church of Pio Monte della Misericordia in Naples. Caravaggio combined all seven works of mercy in one composition, which became the church's altarpiece. [47] Alessandro Giardino has also established the connection between the iconography of "The Seven Works of Mercy" and the cultural ...
The paintings in the Contarelli Chapel form a group of three large-format canvases painted by Caravaggio between 1599 and 1602, initially commissioned by Cardinal Matteo Contarelli for the Church of St. Louis of the French (San Luigi dei Francesi) in Rome, and eventually honored after his death by his executors.
Seven Works of Mercy: Naples, Pio Monte della Misericordia: 390 × 260 cm Oil on canvas: 1607: Crucifixion of Saint Andrew: Cleveland, Cleveland Museum of Art: 202.5 × 152.7 cm Oil on canvas: 1607: David with the Head of Goliath: Vienna, Kunsthistorisches Museum: 90.5 × 116 cm Oil on wood: 1607: Madonna of the Rosary (Madonna del Rosario)
The Death of Leonardo da Vinci, by Ingres, 1818 [u] The 19th century brought a particular admiration for Leonardo's genius, causing Henry Fuseli to write in 1801: "Such was the dawn of modern art, when Leonardo da Vinci broke forth with a splendour that distanced former excellence: made up of all the elements that constitute the essence of ...
Frank Zöllner, the author of the catalogue raisonné Leonardo da Vinci. The Complete Paintings and Drawings, [142] writes: Over-cleaning resulted in abrasion over the entire painting, especially in the face and hair. [126] Above Christ's left eye (right) are visible marks that the original artist made to soften the flesh with the heel of his ...