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The conservation-restoration of panel paintings involves preventive and treatment measures taken by paintings conservators to slow deterioration, preserve, and repair damage. Panel paintings consist of a wood support, a ground (linen or parchment sized with glues , resin , and gesso ), and an image layer ( encaustic , tempera , oil ). [ 1 ]
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Sebastiano del Piombo's The Raising of Lazarus was transferred from panel to canvas in 1771. [1] The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century. It has now been largely ...
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall or on vellum (used for miniatures in illuminated manuscripts). Wood panels ...
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Example of an oak panel in its original state, the back of a Jan Davidsz. de Heem still life. Cradling is a process used in the restoration and preservation of paintings on wooden panel. It consists in mounting a grid of wooden slats to the back of a painting to create a reinforcement and preserve the flat paint surface.
Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices.
The tops of the posts are joined to a beam and the spaces between are filled in with natural materials called bousillage or pierrotage. Poteaux-sur-sol (posts on a sill) is a general term for any kind of framing on a sill. However, sometimes it specifically refers to "vertical log construction" like poteaux-en-terre placed on sills with the ...
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