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Yūrei-zu (幽霊図) are a genre of Japanese art consisting of painted or woodblock print images of ghosts, demons and other supernatural beings. They are considered to be a subgenre of fūzokuga, "pictures of manners and customs." [1] These types of art works reached the peak of their popularity in Japan in the mid- to late 19th century. [2]
Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.
One Hundred Ghost Stories (Japanese: 百物語, romanized: Hyaku monogatari) is a series of ukiyo-e woodblock prints made by Katsushika Hokusai (1760–1849) in the Yūrei-zu genre circa 1830. He created this series around the same time he was creating his most famous works, the Thirty-six Views of Mount Fuji series. There are only five prints ...
Elements of Japanese horror in folk art are represented in the works of 18th century artist, Katsushika Hokusai. He was a painter during the Edo period famous for his block prints of Mt Fuji .
Man Proposes, God Disposes. Edwin Landseer's 1864 painting Man Proposes, God Disposes is believed to be haunted, and a bad omen. [6] According to urban myth, a student of Royal Holloway college once committed suicide during exams by stabbing a pencil into their eye, writing "The polar bears made me do it" on their exam paper. [7]
A Japanese chimera with the features of the beasts from the Chinese Zodiac: a rat's head, rabbit ears, ox horns, a horse's mane, a rooster's comb, a sheep's beard, a dragon's neck, a back like that of a boar, a tiger's shoulders and belly, monkey arms, a dog's hindquarters, and a snake's tail.
Yūrei from the Hyakkai Zukan, c. 1737. Yūrei are figures in Japanese folklore analogous to the Western concept of ghosts.The name consists of two kanji, 幽 (yū), meaning "faint" or "dim" and 霊 (rei), meaning "soul" or "spirit".
The Ghost of Oyuki (お雪の幻, Oyuki no maboroshi) is a painting of a female yūrei, (a traditional Japanese ghost), by Maruyama Ōkyo (1733–1795), [1] founder of the Maruyama-Shijō school of painting. [2] According to an inscription on the painting, Okyo had a mistress in the Tominaga Geisha house. She died young and Okyo mourned her death.
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