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The song builds in intensity throughout and climaxes during the second verse and chorus, [1] introducing string instruments and a choir. [7] Wood considered adding a key change during this section but thought it might "put it over the top." [5] After this, the composition suddenly drops and slows, ending the song with a softened tone backed by ...
It was produced by Jonathon Maisto, [12] with Wood noting its tonal difference from his other work. [9] The song's meaning is intentionally ambiguous; some lyrics act as "conceptual red herrings" to obstruct Wood's intention, making fan interpretations varied. [13]
She accepted Wood's script, reading it multiple times to be edited together. [3] Standing later stated, "It is very thought-provoking and I was thrilled to be asked to be part of the process." [4] In tribute to his inspiration, Wood directly included the song's origin album as part of the title in parentheses. [4]
The song also helped elevate Ravi Shankar and Indian classical music to mainstream popularity in the West. Many other rock and pop artists, including the Byrds, the Rolling Stones and Donovan, began integrating elements of the genre into their musical approach. "Norwegian Wood" is also recognised as a key work in the early evolution of world music.
Wildwood Flower Drive at the Carter Family Fold at Maces Springs, Virginia now Hiltons, Virginia. The Drive is named after the Carter Family hit song. "Wildwood Flower" is a variant of the song "I'll Twine 'Mid the Ringlets", [1] published in 1860 by composer Joseph Philbrick Webster, who wrote the music, with lyrics attributed to Maud Irving.
The meaning behind the song lyrics of ‘What ... for the emotion of the words and music you’ve written.” ... bawling their eyes out and singing the lyrics to a song that just came out,” she ...
Bowman rated "Acadian Driftwood" as "one of Robertson's finest compositions, equal to anything else the Band ever recorded." [2] According to The New Rolling Stone Album Guide critic Mark Kemp, "Acadian Driftwood" is one of three songs on Northern Lights – Southern Cross, along with "Ophelia" and "It Makes No Difference," on which "Robertson reclaims his reputation as one of rock's great ...
It is one of the band's best-known songs. [5] Steve Huey of AllMusic said that the song is "a touch more melancholy than many of the group's best-known rockers" and "one of the band's most fully realized individual moments." [12] James Hunter of Rolling Stone called the song "a Seattle song that in 1999 evokes no grunge nostalgia. It's timeless ...