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The chromatic harmonica is a type of harmonica that uses a button-activated sliding bar to redirect air from the hole in the mouthpiece to the selected reed-plate desired. When the button is not pressed, an altered diatonic major scale of the key of the harmonica is available, while depressing the button accesses the same scale a semitone ...
The Standard Music Font Layout , which is supported by the MusicXML format, expands on the Musical Symbols Unicode Block's 220 glyphs by using the Private Use Area in the Basic Multilingual Plane, permitting close to 2600 glyphs.
Also, a "hands-free" modification to the Hohner 270 (12-hole) lets the player shift the tones by moving the mouthpiece up and down with the lips, leaving the hands free to play another instrument. While the Richter-tuned 10-hole chromatic is intended to play in only one key, the 12-, 14-, and 16-hole models (which are tuned to equal temperament ...
1st position (or "straight harp"): Ionian mode. Playing the harmonica as it was intended, in its main major key. On a diatonic, starting note is hole 1 blow. On a C-chromatic, starting hole is the same, resulting in C major scale. This is the main position used for playing folk music on the harmonica. 2nd position (or "cross harp"): Mixolydian ...
Although few look like a pipe, the pitch pipe name is still applied to any device used as a pitch reference. The most common type is a circular free reed aerophone.These are discs with the holes for the reeds around the perimeter and with marked openings for each note, into which the user blows.
Blues harp. The Richter-tuned harmonica, 10-hole harmonica (in Asia) or blues harp (in America), is the most widely known type of harmonica.It is a variety of diatonic harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three-octave range.
Solo tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion) to fit a pattern where blow notes repeat a sequence of C E G C (perhaps shifted to begin with E or with G) and draw notes follow a repeating sequence of D F A B (perhaps correspondingly shifted).
Music written using tone-clock theory features a high economy of musical intervals within a generally chromatic musical language. This is because tone-clock theory encourages the composer to generate all their harmonic and melodic material from a limited number of intervallic configurations (called "intervallic prime forms", or IPFs, in tone ...