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The GS-500 guitar does not have a standard 1/4-inch guitar output and cannot be used without the GR-500 synthesizer module. It has a particular infinite sustain system: the frets in the GR-500 are connected to its electrical ground, and when a player frets a string, an electric current passed through the string.
The GR-300 had no MIDI (it had not been developed yet) and could initially only be played/controlled with a Roland G series guitar controller (Originally offered with the G-303, G-505 and G-808, later the G-202 and it was backward-compatible with the G-707 and the GK-1 pickup system, released a few years later.
The guitar provides a number of features intended to help gamers become guitarists. The You Rock Practice Mode provides audible feedback when the user plays with the guitar's built-in song loops. The guitar can simultaneously drive a game system, an amplifier, headphones, a MIDI synthesizer, and music software via USB.
In 1976, Roland introduced the semimodular System 100 and the modular System 700 synthesizers. [ 12 ] In 1977, the company introduced one of the earliest microprocessor-driven music sequencers , the MC-8 MicroComposer , and the first guitar synthesizer , the GR-500 .
Boss introduced COSM (Composite Object Sound Modeling), Roland's proprietary version of digital modeling technology, into their AC-3 Acoustic Simulator pedal in 2006. Boss has since released several pedals using COSM, including the FBM-1 '59 Fender Bassman pedal and FDR-1 '65 Fender Deluxe Reverb pedal, introduced at the Winter NAMM show in ...
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The VCS 3 has three oscillators (the first two normal voltage-controlled oscillators; the third a low-frequency oscillator), a noise generator, two input amplifiers, a ring modulator, 24 dB/octave low-pass voltage-controlled filter, [citation needed] a trapezoid envelope generator, a joystick controller, a voltage-controlled spring reverb unit, and two voltage controlled output amplifiers.
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