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Presley recorded the song on January 30, 1956, at the RCA Studio in New York. [ 15 ] [ 1 ] There were six songs handpicked by A&R person Steve Sholes himself for Presley to record for his first album at the sessions, but "One-sided Love Affair" was the only one Presley liked and recorded.
In Clayton-Thomas's 2010 autobiography, Blood, Sweat and Tears, he wrote that the Joni Mitchell song "The Circle Game" inspired some of the lyrics. They lived across the hall from one another in Yorkville, the bohemian rock music epicenter of Toronto similar to Greenwich Village in Manhattan at the same time. He claimed a long-unrequited crush ...
The song is a rhapsodic ode with a theme of unrequited love. [2] Though lyrically genderless, the video for the song depicts a schoolboy with a crush on an older boy; [3] Elton John told Rolling Stone that it was "the first gay song that I actually recorded as a homosexual song". [4]
NEW YORK − Young musicians don't make love songs like they used to. At least that's what Nathan Morris, one-third of Boyz II Men, tells me. He's sitting backstage squeezing in a quick dinner ...
The song is in B Dorian, [4] performed in what AllMusic describes as a "brooding, sorrowfully conflicted" tone. [5]Although it is often interpreted as a ballad about unrequited love, [6] [7] Chris Isaak has said that the song was inspired by a telephone call from a woman seeking to arrange a hook-up and is about "what happens when you have a strong attraction to people that aren't necessarily ...
"Everything You Want" is a song by American alternative rock band Vertical Horizon, the title track and second single from their third studio album. [5] First released to alternative radio in October 1999, the single reached the top of the US Billboard Hot 100 on July 15, 2000, following a commercial release on June 27, 2000.
By the early seventies, Jones was a much more nuanced singer than he had been a decade earlier, and "Sometimes You Just Can't Win," which rose to #10 on the charts, was a prime example of how his singing could be, at times, frightening in its intensity. The song, a suicidal lament about unrequited love, begins softly with gently picked mandolin:
“You know, my albums have characteristically been, sort of, excruciatingly autobiographical where, like, when I put out an album, it just feels like getting some sort of live-streamed, public ...