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The daughter of a lonko dressed in traditional Mapuche silverwork at around 1900. Drawing of a trapelacucha, a silver finery piece, 20th century. [1] Mapuche silverwork is one of the best known aspects of Mapuche material culture. [2] The adornments have been subject to changes in fashion but some designs have resisted change.
Jewellery of a Berber woman in the Musée du quai Branly, Paris. Jewellery of the Berber cultures (Tamazight language: iqchochne imagine, ⵉⵇⵇⵛⵓⵛⵏ ⵉⵎⴰⵣⵉⵖⵏ) is a historical style of traditional jewellery that was worn by women mainly in rural areas of the Maghreb region in North Africa and inhabited by Indigenous Berber people (in the Berber language Tamazight ...
Some jewellery is plated to give it a shiny, reflective look or to achieve a desired colour. Sterling silver jewellery may be plated with a thin layer of 0.999 fine silver (a process known as flashing) or plated with rhodium or gold. Base metal costume jewellery may also be plated with silver, gold, or rhodium for a more attractive finish.
The exposition of jewellery allegedly demonstrated the prospects of both the industry and Kubachi craftsmen. In 1924, in the early days of the Soviet Union, a workshop in Kubachi was founded, engaging artisans not only in traditional jewellery and weapons but also silver portcigars, spoons, and other items for dining rooms.
Asprey crafted traditional cases and designs, mostly in leather, suitable for the new style of travel ushered in by railways. The main competitors at the time were H.J. Cave & Sons . Asprey was recognised for its expertise when it won honourable mention for its dressing cases at the International Exhibition of 1862, but it ultimately lost out ...
The three pieces are generally of the same colour. It is made from cotton and richly embroidered in traditional patterns. It is worth stating, the Yoruba Agbada is a different clothing and distinct from the Babaringa and Grand Boubou. [2] The Agbada is produced in various styles including with aso oke, lace, silk, etc.
Magatama capped by silver or gold also appear towards the end of the period. Large magatama made of talc, imitations of smaller ones made of more precious materials, were used as grave goods. [2] Magatama are found in kofun tumuli across Japan from the period. Their use went from merely decorative to sacred and ceremonial grave goods.
When silver was needed for use, a section of the arm ring would have been cut off, leading to the term hack silver. [7] In Indonesia, an arm ring is called kelat bahu; it is commonly used by both men and women as traditional jewelry in Javanese, Sundanese, and Balinese traditional costumes, worn usually in wedding ceremony or in traditional dance.
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