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"Wear Your Love Like Heaven" is a song and US single by British singer-songwriter Donovan, released in 1967. It became the opening track of his 1967 double-disc album A Gift from a Flower to a Garden. It peaked at No. 23 in the Billboard Hot 100.
Donovan Phillips Leitch (born 10 May 1946), known mononymously as Donovan, is a Scottish musician, songwriter and record producer. He emerged from the British folk scene in early 1965 and subsequently scored multiple international hit singles and albums during the late 1960s.
"Sunshine Superman" is a song written and recorded by Scottish singer-songwriter Donovan. It was released as a single in the United States through Epic Records (Epic 5–10045) in July 1966, but due to a contractual dispute the United Kingdom release was delayed until December 1966, where it appeared on Donovan's previous label, Pye Records (Pye 7N 17241).
The B-side of the single is "Sand and Foam", an acoustic album cut about a nighttime visit to a Mexican beach Donovan took while on vacation. It was drawn from Mellow Yellow, which was released a few months prior to "There is a Mountain". Record World described it as "jazzy" and "Latin-styled" with "weird" lyrics. [4]
It should only contain pages that are Donovan songs or lists of Donovan songs, as well as subcategories containing those things (themselves set categories). Topics about Donovan songs in general should be placed in relevant topic categories .
"Barabajagal" is a song by British singer/songwriter Donovan Leitch, released by Donovan in 1969. It was later used as title track to the album Barabajagal. The instrumental backing is provided by The Jeff Beck Group, with backing vocals by Lesley Duncan, Suzi Quatro and Madeline Bell.
Pages in category "Songs written by Donovan" The following 28 pages are in this category, out of 28 total. This list may not reflect recent changes. A.
On Essence to Essence, Donovan focuses on spirituality and meditative lyrics. The album art features Donovan clothed in white robes, kneeling as in meditation. While the album was derided as a critical failure at the time of its release, many of the songs went on to form a major part of Donovan's live repertoire throughout the 1970s and 1980s.