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IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression
[29] [30] [31] Unlike all-fourths and all-fifths tuning, major-thirds tuning repeats its octave after three strings, which again simplifies the learning of chords and improvisation. [32] Neighboring the standard tuning is the major-thirds tuning that has the open strings E-G ♯-C-e-g ♯-c'. [29] [33] A lower major-thirds tuning has the open ...
The half-diminished seventh chord is frequently used in passages that convey heightened emotion. For example, the "mournful affect" [5] of the sombre opening Chorus of J. S. Bach's St Matthew Passion (1727) features the chord on the seventh beat of its first bar and on the first beat of its third bar:
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
Among alternative tunings for the guitar, an open G tuning is an open tuning that features the G-major chord; its open notes are selected from the notes of a G-major chord, such as the G-major triad (G,B,D).
In major scales, a diminished triad occurs only on the seventh scale degree.For instance, in the key of C, this is a B diminished triad (B, D, F). Since the triad is built on the seventh scale degree, it is also called the leading-tone triad.
Added tone chord; Altered chord; Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord
Baritone tuning. B Tuning or B Standard Tuning is the standard tuning for a seven string guitar, where the strings are tuned B-E-A-D-G-B-E. B tuning can also be achieved on a six-string guitar, when the strings are tuned B-E-A-D-F♯-B, known then as Baritone Tuning.